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Music Knows No Caste

After garnering critical acclaim and winning the FIPRESCI Award at the Bangladesh International Film Festival 2022, Bangladeshi filmmaker Shabn...

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Geetanjali Kulkarni: 25 years an Actor

Aparajita Krishna views actor Geetanjali Kulkarni’s life and career through the prism of her cutting-edge work in theatr...

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You’ve come a long way – Baby!

Monojit Lahiri reviews Shobha De’s Lockdown Liaisons and gives it a thumbs up!

Firs...

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The uphill struggle to adulthood

A critical analysis of Rima Das’s Bulbul Can Sing (2018) by Dipankar Sarkar.

With h...

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Gehraiyan – Yes or No?!

Monojit Lahiri investigates how deep is deep in extra-marital journeys, in reel and real life.

Valentine’s Day: Ishqbaazi or Dramabaazi

Monojit Lahiri investigates what this day of ‘love, Valentine’s Day, means to people at large. He asks, “Dif...

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Bringing up Bobby

Khalid Mohamed reboots his conversation with the ever-gorgeous Dimple Kapadia on her life and career-defining debut in Raj Kap...

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A Laudable Effort Undone by Static Telling

8/12 Binay Badal Dinesh Review by Shantanu Ray Chaudhury.

It remains one of the most dari...

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Lost And Found

Film historian Dhruv Somani, rediscovers the prolific actor-producer Rajan Sippy of the 1980s, to engage him in a conversation...

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Flight To Freedom

In his first letter to readers, Philosophy Coach, Consultant at Universal Enlightenment & Flourishing, Christophe Porot ex...

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